ALPHABETICAL LIST OF WORKS ILLUSTRATED

A

[108] Abstract Art (No.6), 1967

[144] Air Show (fragment), 1966

[161] Alternate Map for Documenta, 1972

[238] Art in America, 1966

[188] Art & Language in Practice: installation at Fundació Antoni Tàpies, Barcelona, 1999

[231] Art & Language in Practice: installation at Fundació Antoni Tàpies, Barcelona, 1999

[259] Art & Language in Practice: archive room at Fundació Antoni Tàpies, Barcelona, 1999

[120] Art & Language and Luhmann: conference installation, Vienna, 1995

[224] Art & Language and Luhmann: conference installation, Vienna, 1995

[241] Art-Language, volume 2, number 4, 1974, p. 44

[81] Art-Language, volume 5, number 1, (cover)

[84] Ask yourself ‘Which is the Index?’, 1973

[216] Attacked by an Unknown man in a City Park, A Dying Woman, Drawn and Painted by Mouth, 1981

B

[254] Background, Incident, Foreground XI, 1994

[214] Background, Incident, Foreground XVII, 1994-95

[111] Background, Incident, Foreground XXXVIII, 1994-95

[213] Background, Incident, Foreground XXXVIII, 1994-95

[136] BANK: White3, installation, 1998

[242] BANK: Art & Language installation in White3, 1998

[243] BANK: Art & Language installation in White3, 1998

[132] Black Painting, 1965

[250] Blurting in Art & Language, 1973 (page from booklet)

[252] Bxal Form, 1974

[191] Bxal Form, 1975

C

[261] Corrected Slogans, 1977, (L.P. sleeve)

D

[126] Dialectical Materialism (012), 1974

[180] Dialectical Materialism (All Friends Together), 1973

[90] Dialectical Materialism (Dark Green), 1975

[137] Dialectical Materialism (El Lissitzky 014), 1975

[244] Dialectical Materialism, 1976 (installation MTL Gallery, 1976)

[245] Dialectical Materialism, 1976 (installation Lisson Gallery, 1994)

[232] Dialectical Materialism: view of exhibition, MOMA, Oxford, 1975

[103] Down to The Stone, 2000

[236] Drawing for a Secret Painting, 1967

E

[235] Eleven Studies for a Secret Painting, 1967

[121] Entropy, 1966

[110] Escape (3), 1999

F

[129] Flags for Organisations, 1978

[234] Flags for Organisations, 1978 (list of axioms)

[186] Four Studies for Acrostic Paintings, 1967

[207] Four Suprematist Squares, 1965

G

[150] Guaranteed Painting, 1967-68

[107] Gustave Courbet’s Burial at Ornans Expressing… (text to face), 1981

H

[141] Hello, How Are You?, 1992

[109] Hostages a, b, g, d, 1988

[157] Hostage III, 1988

[95] Hostage V, 1988

[83] Hostage XIX, 1989

[178] Hostage XXII,1989; Hostage XXIV, 1989

[210] Hostage LIII, 1990

[227] Hostage LVIII, 1990, Hostage LXXIV, 1990

[100] Hostage LXIX, 1990

[104] Hostage LXXV, 1990

[76] Hostage LXXVI, 1990

[192] Hostage: an Incident and a People’s Flag VIII, 1989

[198] Hostage: Views of Immensity, 1989

[199] Hostage: Views of Immensity, News of Propensity, 1989

[209] Hot-Cold, 1967

I

[257] Ils Donnent leur sang, donnez votre travail, 1977

[74] Incident: Now They Are (Elegant), 1993

[124] Incident: Now They Are (Look Out), 1993

[230] Incident: Now They Are (Look Out), 1993

[074] Incident: Now They Are (Next), 1993

[176] Index 01, 1972

[251] Index 02, 1972

[162] Index 05, (instructions for), 1973

[94] Index (Landscape with St.George), 2001 (detail of installation at Biennale, Leuven, 2001)

[208] Index (Landscape with St.George), 2001 (detail of installation at Biennale, Leuven, 2001)

[143] Index (Landscape with St. George), 2001 (framed unit)

[190] Index (Landscape with St. George), 2001 (framed unit)

[146] Index 10, Comprising Background, Incident, Foreground, XVI-XLVI, 1995

[197] Index: A Model for Lucy Grays, 1998

[124] Index XIX (Now They Are), 1992

[127] Index XVIII (Now They Are), 1992

[128] Index XVIII (Now They Are), 1992 (unglazed canvas)

[228] Index (Now They Are), 1992 (installation at Galerie Nationale du Jeu de Paume), 1993

[229] Index: Incident in a Museum XII, 1986

[148] Index: Incident in a Museum XV, 1986

[195] Index: Incident in a Museum XXI, 1987

[237] Index: Incident in a Museum XXIII, 1987

[255] Index: Incident in a Museum XXV, 1987

[177] Index: Incident in a Museum XXVII, 1987

[193] Index: Incident in a Museum (Failed Town Planning), 1987

[72] Index V (Now They Are), 1992

[73] Index V (Now They Are), 1992 (unglazed canvas)

[247] Index X (Now They Are), 1992

[189] Index XIV (Now They Are), 1992

[135] Index 4 (Now They Are), 1992

[118] Index 5 (Now They Are), 1992

[96] Index: The Studio at 3 Wesley Place Painted by Mouth (I), 1982

[97] Index: The Studio at 3 Wesley Place Painted by Mouth (I), 1982 (detail)

[185] Index: The Studio at 3 Wesley Place Painted by Mouth (I), (installation, Middelburg, 1982)

[88] Index: The Studio at 3 Wesley Place Painted by Mouth (II), 1982

[133] Index: The Studio at 3 Wesley Place, (drawing i), 1981-82

[239] Index: The Studio at 3 Wesley Place Painted by Mouth (I), (Drawing ii), detail

[223] Index: The Studio at 3 Wesley Place in the Dark (III) and Illuminated by an Explosion Nearby (V, VI, VII, VIII), (Drawing iii), 1982

[89] Index: the Studio at 3 Wesley Place, Showing the position of Embarrassments in (III), Drawing (V), 1982

[82] Index: Wrongs healed in Official Hope, 1998-99

[99] Index: Wrongs healed in Official Hope, 1998-99

[102] Index: Wrongs healed in Official Hope, 1998-99

[140] Index: Wrongs healed in Official Hope, 1998-99

[249] Index: Wrongs healed in Official Hope, 1998-99

[80] Indexical Fragment, 1973

[142] Indexical Fragment, 1974

[160] Indexical Fragment, 1975

K

[152] Kangaroo?, 1981 (painting reproduced on L.P. sleeve)

[225] Key of Dreams, 1978 (painting reproduced on cover of Art-Language, Volume 4, number 3)

L

[202] Li Proceedings, 1972-73

[219] Looking through a Piece of Glass, (Ian Burn), 1967

[91] Lovely Slang V, 1999

[117] Lovely Slang XIII, 1999

M

[114] Map of Itself, 1967

[113] Map to Not indicate…, 1967

[149] Map of the Sahara Desert After Lewis Carroll, 1967

[212] Material Slang, 1999

O

[248] Oxfordshire Show, 1966

P

[184] (A) Painting painted by Actors, 1999 (The Jackson Pollock Bar)

[125] Painting-Sculpture, 1966-67

[119] Paul Signac Dreams of the Future, 1984

[87] Portrait of an Artist as an Enthusiast, 1995

[93] Portrait of an Artist as a Flash in the Pan, 1995

[182] Portrait of an Artist as an Enthusiast, Optimist, Wounded Man, 1995

[165] Portrait of V. I. Lenin in the Style of Jackson Pollock IV, 1979

[122] Portrait of V. I. Lenin in the Style of Jackson Pollock V, 1980

[163] Portrait of V. I. Lenin in the winter of 1920 in the Style of Jackson Pollock, 1980

[226] Portrait of V. I. Lenin in the Style of Jackson Pollock, 1979 (map for)

[164] Portrait of V. I. Lenin in the winter of 1920 in the Style of Jackson Pollock, 1980 (map for)

[203] The Artist out of Work; installation by Art & Language at P.S.1, New York, 1999, detail

S

[233] Secret Painting, 1967-68

[130] Secret Painting, 1967-68

[138] Secret Painting, 1967-68

[145] Six Negatives, 1968-69, (page of)

[258] Soft-Tape, 1966 (installation Sydney Biennale, 1990)

[98] Sighs Trapped by Liars 1-192, 1996-97

[211] Sighs Trapped by Liars 1-192, 1996-97 (Installation at ‘L’Envers du décor’, Musée d’art moderne Lille Métropole, Villeneuve d’Ascq, 1998-99

[112] Sighs Trapped by Liars 234-287, 313-342, 343-371, 1997

[105] Sighs Trapped by Liars 373-391, 413-508, 1997

[86] Sighs Trapped by Liars 510-602, 1997

[240] Sighs Trapped by Liars 521-531, 1997

[151] Sighs Trapped by Liars 604-632, 1997

[115] Sighs Trapped by Liars (Allergy to the S.R.), 1998

[147] Sighs Trapped by Liars and Lovely Slang, 1997-98

[181] Sighs Trapped by Liars (installation at Fundació Antoni Tàpies, Barcelona, 1999

[196] Sighs Trapped by Liars (in studio), 1996

[206] Sighs Trapped by Liars (in studio), 1996

[215] Sighs Trapped by Liars 1997 (example of Malaprop text)

[217] Sighs Trapped by Liars 1997 (example of Malaprop text)

[153] Study after Gustave Courbet’s L’Origine du monde, 1992

[187] Study for Hostage 62, 1990

[204] Study for Hostage 75, 1990

[75] Study for Hostage 76, 1990

[222] Study for Impressionism Returning Sometime in the Future, 1984

[92] Study for Incident, Foreground (II), 1994

[194] Study for Index: Incident in a Museum 2, 1985

[156] Study for Index: Incident in a Museum 5, 1985

[200] Study for Index: Incident in a Museum 19, 1986

[154] Study for an Incident: Now They Are, (Elegant I), 1993

[101] Study for a Museum in the Future (I), 1987-88

[201] Study for a Museum in the Future (II), 1987-88

[260] Study for a poster for ‘Kangaroo?’, 1981

[78] Study for Unit Cure, Unit Ground, 1987

[139] Sunnybank, 1967

[205] Surf 75, 1990

[155] Surf 76, 1990

T

[256] Ten Postcards, 1977

[166] Ten Posters: illustrations for Art-Language, 1977

[167] Ten Posters: illustrations for Art-Language, 1977

[168] Ten Posters: illustrations for Art-Language, 1977

[169] Ten Posters: illustrations for Art-Language, 1977

[170] Ten Posters: illustrations for Art-Language, 1977

[171] Ten Posters: illustrations for Art-Language, 1977

[172] Ten Posters: illustrations for Art-Language, 1977

[173] Ten Posters: illustrations for Art-Language, 1977

[174] Ten Posters: illustrations for Art-Language, 1977

[175] Ten Posters: illustrations for Art-Language, 1977

[183] Theory Installation (The Jackson Pollock Bar, Fundació Antoni Tàpies, Barcelona, 1999.)

[134] There Were Sighs Trapped by Liars XII, 1997-2000

[85] There Were Sighs Trapped by Liars XV, 1997-2000

[220] There Were Sighs Trapped by Liars XVI, 1997-2000

[253] Three Vocabularies for the Air Show, 1966

[131] Twenty Works from 1965-1999 Regarded by an Index (Landscape with St. George) 2000-2001, Regarded by Twenty Works from 1965-1999, installation, Leuven, 2001

U

[77] Unit Cure, Unit Ground IV, 1988

[116] Untitled Painting, 1965

[123] Untitled Painting, 1965

[218] Untitled Painting, 1965

[246] Untitled Painting, 1965

V

[179] Venice Banner, 1976 (Venice Biennale, 1976)

[221] 22 Sentences, the French Army, 1967

[79] 100% Abstract, 1968

[106] 100% Abstract, 1968

[158] 100% Abstract, 1968

[159] 100% Abstract, (Installation in Studio, 1968)